Here’s a snippet from Franco Moretti’s 2016 interview in the Los Angeles Review of Books as part of its series “The Digital in the Humanities.” My book project has no connection with digital humanities; but, just as Moretti observes that one can do things in/with digital humanities that one cannot do in traditional approaches to reading and writing about texts and vice versa, the same is also true of the various critical approaches to texts within traditional scholarship.
I would say that DH occupies about 50 percent of my work. You can’t possibly know this, but when my last two books were going to be published — Distant Reading and The Bourgeois — I convinced my publisher (and it took some convincing) to have them come out on the same day because they were for me two sides of the coin of the work I tried to do. And what I find potentially interesting is that the two sides don’t add up to a whole. I do things in the mode of Distant Reading that I could never do in the mode of The Bourgeois. But it also works the other way around. When I write a book with zero digital humanities content, or very little, like The Bourgeois, I find myself doing things that I cannot do with the other approach. Exactly what things are available in the one and in the other and are they mutually exclusive, I still haven’t figured out how to think about this. But for me, this is going to be the problem for the years to come because I don’t want to give up any of these two realities. They are equally dear to me.
For whatever it might be worth to you reading this, I’ve been thinking about this a bit regarding my own reading and writing.